So my phone has officially stopped taking a charge. Which means its dead. And i am somewhat out of touch up here in Oneonta NY. Where its BEAUTIFUL. We have truly driven up to meet the fall. It is crisp and gorgeous and the trees are flaming already in a way that Va isn't even thinking about. One of my cast mates has suggested we jerryrig some taps to get some maple syrup. I think that would be lovely. Photos SOON!
On the front of being connected to the outside world, this just popped up on the SEE (Siti Extended Ensemble) website: http://siti.groupsite.com/post/october-2010-in-the-room
Here's an excerpt:
The British director John Doyle spoke with my graduate students at Columbia and said that when he enters the rehearsal hall, the first thing he does is demand that everyone in the room immediately shut down their computers. His stage management team is typically quite upset by this request because nowadays stage managers take down blocking on their computers and being online in rehearsal also means being in contact with the outside world. John Doyle assures the stage managers that whatever blocking they record would change anyway. Instead, all he asks of them is to simply be present and pay attention.
Over the past several years, computers have become a dominating presence in my own rehearsals. In a slow moment in rehearsal, the stage manager, who often is also simultaneously company manager, might be making necessary plane reservations for the actors for an upcoming tour. The designers are able to be in the room with us for the entire rehearsal process only because they are concurrently electronically present at other rehearsals around the city, around the country, or even around the world. If they were not able to surf, text, iChat or email, they would probably not be able to be in the room with us as much as they are.
Bogart goes on to muse about the enjoyment of taking in information slowly. An enjoyment that maybe is impeded by the immediacy with which we are able to access information.
I thought it was cool.